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It’s been half a year since a Mandalorian named Mando (or Din Djarin, but let’s stay with Mando) got his own show in a remote branch of the «Star Wars» universe, which has been a branch of the Disney universe is. It was called «The Mandalorian» and quickly became a huge hit, thanks in part to Werner Herzog. But mostly thanks to a cuddly, hairless albino miniature pinscher named Baby Yoda. More on that in a moment.

Yoda and Werner Herzog are well known and have been part of pop culture for many decades, Herzog may not be part of «Star Wars», but his fanatical severity, his Teutonic accent and his metaphysical focus make him the villain in the successor to Darth Vader and seem logical to the emperor. Mandalorians, on the other hand — that was something new to most.

Anyone who was curious about what it might be all about quickly found what they were looking for on the Internet. Because to a not inconsiderable part of the Internet consists of encyclopedias full of «Star Wars» facts fed by meticulous hobby historians. There you can learn, for example, that the special rifle that Mando points in one of the eight episodes at these cute little but nevertheless vicious figures (called Javas) on the sandy planet Tatooine and that looks like an oversized tuning fork is called «Pulse Rifle» . Hardcore nerds know it from a long-forgotten animated series dedicated to the bounty hunter Boba Fett, Mandalorians like Mando.

You have to know about the Mandalorians that they don’t belong to any particular race, so they don’t necessarily have horns growing out of their heads or those strange pigtail tumors like the other critters that hung around the carnivorous crater at Jabba the Hut (in «Star Wars» sociolect : the Carkoon pit, where a Sarlacc lived). So Mandalorians can be anything. Mando is a person, you could have guessed it, because he is played by Pedro Pascal, known from «Narcos» and «Game of Thrones», in a sense a mixture of Harrison Ford and Antonia Banderas. Above all, they basically keep their mask on and beat up every covid who comes to them stupid. That Pascal’s mischievous mustache was actually stuck under the helmet with the dark slits in the eyes could only be verified in the last episode of the first season, when he really had to take it off because of an acute head injury.

So also strangely prophetic, the whole thing. The series had run earlier in parts of the world, but in Germany it started on Disney + on March 24th, with new episodes every week. Two days earlier, the federal government had announced the strict exit and contact restrictions. So you sat in lockdown and watched a permanently masked hero fly through a universe that practiced social distancing so much that there was sometimes only one pub per planet.

And whoever came too close to him there — like a so-called Quarren in episode number one, as the relevant online reference works reveal — had to put up with being cut by the automatic door. Ultimate tracking devices that can even track jumps through hyperspace and thus a wet dream of people like Karl Lauterbach have always been omnipresent in the «Star Wars» universe. Without these things, no film would have come to an end; any villain could have just sliced ​​their way left into the bushes a few hundred light-years. To make up for the clairvoyant measure, Baby Yoda’s hover bowl even has its own quarantine mode, which it always activates when the air gets thick. Jon Favreau, Iron Man director and producer on The Mandalorian, is truly a visionary.

The fact that it could go on so quickly — the second season starts on October 30th — and will probably continue to do so, because a few days ago it was announced that Disney had already commissioned a third season, is also due to the fact that distant galaxy with its myriad planets, creatures and storylines is more or less completely created in Favreau’s garage. After experiences with the «Jungle Book» (2018) and the «Lion King» (2019), he had a set of LED screens built for «The Mandalorian» that describe a circle with a diameter of almost 23 meters. Another thing hangs from the ceiling. This allows you to switch back and forth in a matter of seconds between the typical «Star Wars» universe with its hundred thousand twinkling stars and one of the equally typical sunset moods on sandy planets. The sunsets last a good ten hours if necessary. A dream set-up for a small crew, especially in Corona times, who films actors who are largely either made of rubber or wear masks.

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